Friday, 2 February 2018

ROBOT WARS: San Francisco fights back



Imagine walking down Polk street in San Francisco and getting bumped from behind by a robot delivering pizza. That could have happened before then SF passed a law. Now a human being has to accompany robot deliverers. And only nine are allowed to be on sidewalks at any one time. Other robot incidents have set the city on edge.  A robot-guarding a mall fell into a fountain and drowned himself. It caused an outpouring on the web. But the topper is the robot who guarded a pet shop. He weighed 400 pounds, was 5 feet tall, wired to get lots of information, including photographs and videos He could also summon help if needed. It was offensive to this high crime neighborhood where homeless people camped out. At one point his sensors were cover in sauce and he was kidnapped. When the pet shelter got him back to (we don't know if they paid a ransom) the robot was returned to his tech-creators.

Robot Wars (© BBC)
And that's not all. The city has changed since the tech invasion. More than half the cars that clog the streets are either UBER or LYFT. AirBnB has caused enough problems that they now have to register with the city and have a license to rent out rooms. So do Uber and Lyft. Housing has become so expensive since the tech-boom that a lot of middle-class residents have moved. The center of the town has become more like other major cities:  the ubiquitous haute designer boutiques and expensive, trendy restaurants,.  So much venture-capital money is sloshing around SF that anyone who has a new idea and can sell it, has a chance to cash in. It's the 21st-century gold rush. Techies are swamping the city, home to four of the five giants,

The 19th century Gold Rush and the tech revolution have a lot in common. They both turned the town int the rootin' tootin' place to be. After the1906 earthquake, the city was re-built into one of the most, if not the most, charming, accessible cities in the US. Big enough to have an opera house, lots of museums, a first-rate orchestra and fantastic food. Lots of Europeans came to cook. Including the Basques, who became famous for their cuisine. They loved SF so much they opened a cultural center, which is still there.  The Chinese staked out a part of the town for their own.  Other ethnic groups settled here as well.  Europeans loved this city with its elegant hotels and graceful way of life. And then BAM. Silicon Valley arrived.  And it all changed. Unlike the gold barons who put money into rebuilding the city, many multi-billionaire tech-titans are known for their libertarianism.  And are buying secluded islands in Ne Zealand and preparing for the worst, worst. What do they know that we don't? We need a robot-spy.

Source: an article by Leslie Hooks in the Financial Times weekend.

Next week: The dreaded HOUR

Note: Erkki ate last week's illustration. Nothing goes to waste at Littlemargieproductions.


Robots are coming to our line of work, too. Unnoticed. The cameras have some artificial intelligence (hey, that's a face, let's focus on it!!), and they are often stabilized with active robot-like gimbals that have orientation sensors and motors to keep the camera level at all times. I use both techniques on almost every shoot without even thinking about it. I've been also looking into motion control, which is essentially using a robot to control the camera moves. It adds at least one axis of motion to the capabilities of the gimbal, with precision and repeatability. These systems have existed since the 80's at least, but have been extremely cost-prohibitive. Right now we're at the stage that affordable systems can be built in DIY fashion (yes, i'm making one), but commercial systems still are too expensive for smaller businesses.

- Eki 

PS: The über-rich libertarians know that the precariat is aware of their "greed is a virtue" philosophy, and are gathering their pitchforks. Viva la Revolucion, off with the head!

Wednesday, 24 January 2018

Mining for MOVIES: Youtube GOLD


One night bored with Trump trash on CNN, I googled a movie I love: 'The 39 Steps', and '1939', 'movie', 'youtube'. A whole bunch of little boxes with a scene from the movie, the title, and the lengths popped up on the screen. Some were short previews, others were the whole movie. I clicked one. Pay-dirt.  And a sidebar of other choices. I watched this early Hitchcock movie with a glass of wine. And thought, WOW, I can see this again and again... After that, I found a whole slew of my favorite Hitchcock's, including 'Rear Window'.  When it got up to a triple-feature day, I thought it was time for rehab.

Searching for "Alfred Hitchkock"
Netflix and other sites have huge film choices, so I joined. Everyone told me I could find anything I wanted. Wrong. Most of my searches came back with 'alternatives'. I finally discovered that these film sites don't have licensing agreements with every country.That was my problem. I went back to youtube.  I don't always find what I want. Sometimes I try over and over to get a movie. And suddenly it turns up on the sidebar. But it's fun to search. Sometimes you stumble on a winner. Camilla (the shark) says if you want to work in media you have to watch all sorts of movies, documentaries, videos. Amazing to see the technical progress made between 1930 and 1935. I showed Erkki one scene from an English movie: 'Storm in a Teacup' (1937, Vivienne Leigh, Rex Harrison):  a horde of about 500 different breeds of adorable dogs invade a posh dinner party. They create incredible playful chaos for several minutes.  The human actors are helpless victims are helpless. I wondered how they could stay in character. And how the crew pulled it off. I love this scene. Even Erkki, who can do all sorts of computer manipulation, was impressed.

Now we're working on a new project: we plan to use film clips that are in the public domain. I found out a lot of new-ish movies available because they failed to renew copyrights.  When hen I search by genre, I get a list from A to Z. For most tech-savvy users this must sound like first grade ABCs. Or even kindergarten.  But for me who bangs away on my mac and gets into a mess, it's practically a bloody miracle.  By a lucky stroke, I learned how to find film (some classics) from the Golden Age (mid-thirties – mid-fifties).  And make new videos out of old movies. EUREKA!

Source: Youtube

Next week: ROBOT WARS; San Francisco Strikes Back

Monday, 15 January 2018

MINDERS & the TALENT

Unless you're a relative, a close friend,  famous yourself, or better yet, all three, making a documentary about someone who is even semi-famous, means dealing with their minders.  After 'Chasing Esa-Pekka'  (at the time conductor of the Los Angeles Philharmonic) and 'Frank & Alvar' (architects, Frank Gehry & Alvar Aalto) we said never again.  The Talent was fairly easy but the Minders were armed guards at the gate.  Nice, polite but fiercely demanding.  Esa-Pekka had a PR company guarding his image. They wanted him to see every foot of material before the edit – we had 51 hours.  And made us edit a great line.  I asked him if there were any rough spots in his charmed life after he replaced a conductor in London and got rave reviews. He said, 'There were girls, I was eating, drinking and fucking around.' Bing! But our commissioning editor kindly asked us t to delete it.

Thought I was cured.  But an article in the New York Times about the chefs of San Sebastian (in the Pays Basques hooked me. The town with 187,000 inhabitants in Northwest Spain has earned 16 Michelin stars, the most per capita in the world. It's become a foodie's mecca. What made the story land on the front page was an unlikely twist: instead of competing, the chefs were friends who helped each other. Led by two old hands – Juan Arzak and Pedro Sobijana. The Shark (LMP story editor) loved the idea. I made the reservation for three at Arzak. I told them we had a film company in Finland and were interested in making a documentary for YLE (Finnish Broadcasting Company) about the food culture in San Sebastian.  When we got to the restaurant they gave us the royal tour. The kitchen with its 30 chefs, the wine cellar, and the lab. Juan Arzak came out and gave us all a kiss on both checks and we took selfies. Then we went to lunch.

Art food (rye bread, sausages and ketchup). 

Lunch was six courses of edible art. We drank extra dry sherry and lots of wine. It was great fun and perfect film material. I called my contact at Arzak to thank her and told her I'd like to come back and do a short test film. She sounded excited about the idea and asked me to email a synopsis. The story we wanted to tell was how Juan and Pedro, after their three-star restaurants were a success, encouraged young chefs to get on board and make Basque cuisine famous. We wanted to include something about the Basque history, one of the oldest, if not the oldest in Europe. Then the ax fell. Arzak thought the documentary should be about them. Juan's daughter Elena is taking over from her father and has got lots of media attention. But one thing we've learned:  a one-hour documentary needs a ton of material.  One three star restaurant, no matter how great, would not do the trick. We passed. T.S. Elliot said, 'Between the idea and the reality falls a shadow.' That says it all.

Next wee: Mining for  MOVIES: Youtube GOLD

Re: AI SHRINK: Erkki thanks for the info about Eliza. But she's not a German Shepherd and I'd have to go online and blah-blah into the whatever-sphere.

Monday, 8 January 2018

What I want in 2018 is an AI SHRINK

What I want in 2018 is an AI SHRINK. Just think. Consulting and consolation on demand (panic attacks are infamous for striking at 3:00 AM). After the initial cost, no fees. And best of all. An AI Shrink would not nod off when I repeat myself for the umpteenth time like my human shrink did. When I asked him if he was falling asleep, he said, 'If I do, wake me up when you leave and put the money on the desk.'

This is how AI sees our studio (Deep Dream algorithm)
We had a pause for summer vacation. On the way to my next appointment, I was walking to the tram. A strong wind blew the tin roof, on a temporary structure and nearly decapitated me. A stranger, who saw what happen, came over and hugged me. When my shrink and I sat down, I told him what happened, and said, 'Did that wake you up?' He said, 'Well...' I asked 'Do you know I've been coming here for 17 years?' He said 'Now I'm awake,' and went and checked his records.

He retired. But we're still friends. Now we meet for lunch and he blabs too. He told me that anxiety was a worldwide illness. Even kids can't always cope with the hyper-connected digital age. The 12-year-old grandson of a friend came for a visit. One day, at breakfast, he put his hand on his head and elbow on the table and said, 'Grandma, I can't keep up. As soon as I learn a new system, it changes.' 

Lots of people give up trying. But that has a downside too. Now we have the next big jolt: Artificial Intelligence. When Erkki and I were working on 'GottaGETinTOUCH' we had the use a humanoid at the end. We found an eerie one interviewed by a scientist. She looked almost human but not quite. And the back half of her head exposed the wiring. She had a sing-songey pleasant voice. It was creepy. I heard her say, 'I could kill humans.' I freaked out.

Erkki told me this creepy feeling is called 'uncanny valley'. He explained that humans get this eerie feeling when the AI looks almost real but not quite. If the AI looks absolutely human we feel comfortable. EEEEEEKKK!

Sherry Turkle, author of 'Reclaiming Conversation' and media professor at MIT (Massachusetts Institute of Technology), warns that the next big threat in the digital age is Artificial Intelligence. But heck, they're here. Why not program AIs to be 24/7 Shrinks? Mine would not be a humanoid. It would be a replica of Sam, my favorite German Shepherd. He knew me better than I knew myself. He knew when I needed a walk. When I need to sit quietly and meditate (better than the 'meditation' apps on your cell). Meals were always regular and nutritious. So was bedtime and wake-up time. Just the idea soothes my agitation.

Automated technologies are the stars at CES, one of the world's largest technology conventions, (Las Vegas 7/1/2018 – 12/2018). AI will guard your house and send an alert to your cellphone if someone breaks in, turn on the air-conditioner, unlock your front door. Come on all you techies, give us s a tool that will soothe our psyches. Happy in New Year.

Sources: New York Times, internet

Next week: The TALENT and their MINDERS


Maggy, meet Eliza, your shrink: http://psych.fullerton.edu/mbirnbaum/psych101/Eliza.htm

Eliza was one of the first AI programs, originally written in the 1960's. It was installed on one of the early Macintoshes my mom had when i was a kid, so i've chatted with it, even. You can tell that she's not real, after discussing a while though.

This said, AI is very cool, and on the verge of an explosion. The area i have been following most closely is using AI for image manipulation. It's going to be a huge deal. We're not far off from a situation where we tell the AI in plain words to "make a picture of a man playing ukulele on the beach, with a parrot on his shoulder", and the computer will spit out a photo that is just that. I could go on, there's a lot of unbelievable examples from the AI neural network research in the last year or two.

- Eki

Thursday, 21 December 2017

HITCHCOCK: what we can learn from the Great Director

Alfred (Studio publicity photo, 1955, Wikipedia)
In the early 1970s that a friend took me to an art cinema in a seedy part of Los Angeles. It was a double bill: 'The 39 Steps' and 'The Lady Vanishes', both directed by Alfred Hitchcock. I was hooked. Loved some of his later movies, for instance, 'Rear Window' and 'Psycho', but it was the black and whites that I wanted to see. They were hard to find. Then one night I googled 'The Lady Vanishes' on youtube. A whole bunch of copies of the film showed up on the screen. I punched one and there it was, with a side-bar of more choices. I found at least 12 of his films. It was when I watched 'The Lady Vanishes' five times that I began to think I had to go into rehab. Then l I heard a Hitchcock lecture. Orsen Welles watched 'The Lady....' 11times. I found sites where he was interviewed about how, why and what he liked about making movies. He liked the planning. He didn't like when the actors came on board. He talked about mistakes he would never repeat (blowing up a kid on a bus), and how he accomplished certain scenes, such as the 'stabbing in the shower' in 'Psycho'. His genius was that he made art house movies that entertained and engaged the average viewer. Intellectuals and casual moviegoers were, and still are fans.

In 2017 there was a worldwide Hitchcock movie festival: Welcome Mr. Hitchcock', For me a dream come true. But at my art cinema, the choice was only half-good. Yes, the showed 'Psycho' and 'Vertigo' (along with 'The Birds', my least favorite). 'Jamaica Inn' – a minor movie. But they also show 'Young and Innocent' and 'Shadow of a Doubt', so the festival wasn't a total washout. Camilla, LMP story editor and Big Feminist always points out that Hitchcock was an infamous misogynist. His wife was his closest collaborator, but he had an obsession for beautiful blondes: for instance, Kim Novack, Tippi Hedren, Madelaine Carrol, Eva-Marie Saint.

His love-hate relationship with his female stars sometimes took an ugly turn. Tippi Hedren was put through hell when they were making 'Marnie'*. Some Hitchcock scholars think that 'Marnie', who gets raped by her husband on their wedding night was a Hitchcock fantasy. He could play cruel practical jokes on his cast and crew. Still, he had no trouble finding people who wanted to work with him. It was the meticulous planning of each project that sets him apart: each scene is a small gem and together they make a stunning whole. No detail was left to chance: dialogue (often sassy and sexy), the use of supporting players and animals for comic relief and to advance the plot, clothes, locations, lighting, camera angles which created suspense, unusual characters (often un-PC). This is where Erkki says 'Shut up Maggy'. The sad part is, we'll never see another new movie by him. But we're lucky to have a cache of old movies that still look fresh. You are always Welcome Mr. Hitchcock.

Source: Youtube
* 'Marnie' was made into an opera 

According to a google search, Hitchcock made 85 movies, here are 12 of my repeats.

Young and Innocent 1937
The Lady Vanishes 1938
The 39 Steps 1935
Shadow of a Doubt 1943
Saboteur 1942
Sabotage 1936
North By Northwest
Notorious 1946
Rear Window1054
Psycho 1960



PS: Littlemargie (and Erkki) will be on vacation for two weeks.




Maggy, I only tell you to shut up if you babble when I try to concentrate on something -  which does not apply this time ;-)

- Eki

Monday, 18 December 2017

MOLESTARS: famous dudes sacked

Molestar.
Skip this paragraph, or in fact, the whole page, if you've heard and read all you want to know about celebrities caught in the sexual harassment net. But what keeps the story in the news is how long it took to happen. Two top US morning tv show hosts got the ax. Viewers were stunned.  Matt Lauer, NBC star and cash cow on the Today show, and Charlie Rose, the co-host of the CBS Morning Show vanished overnight.

The MolesSTAR club

Donald Trump, their MoleSTAR-in-Chief (12 women have gone on record accusing  President Trump of sexual abuse, including a former Miss Finland). He was caught on an open mic, bragging about how if you've got power, you can do anything.' Billy Bush, former Access Hollywood host and seven other people who were on that bus heard him say, 'You can grab their pussies'. They all laughed. Billy B. got fired for lending a gleeful ear to the locker-room-boy-talk. The next day Trump apologized. Sort of. And his wife Melania, in an interview, said that this locker-room talk was wrong. Then the whole thing died and the women, who accused Trump disappeared. He now says It's not my voice.What a bitter-sweet irony if the anti-sexual harassment revolution was ignited by the tainted president of the United States.

A friend told she thinks women, especially, have to be aware and alert about sexual harassment. She worked at a film production company in New York City. Her boss asked her to take a script over to a producer staying at the Plaza hotel. She called his room from the front hotel desk and the producer told her to bring it up. When he opened the door he was wearing nothing but a towel and told her to come in. She handed him the script and said him she had to get back to the office. And got the hell out of there. Anything or nothing could have happened if she had gone into his room. #metoo can take a lot of credit for uniting and spotlighting the anti-sexual harassment movement, which has has been under the radar screen for eons.  Women from all over the world have tweeted their stories in 140 (now 280) characters. Time* magazine passed on Donald J. Trump for 'Person of the year' 2017, Instead, they chose the Silence Breakers  -  the women behind the anti-sexual harassment revolution.The PRESS and  The INTERNET ain't all Fake News.

PS:  We're want to hear what Camilla Karsh (the shark) has to say. She's our Big Feminist.

Sources: New York Times, Financial Times Weekend, Arizona Daily Star, CNN

Next Week: HITCHCOCK: what we can learn from the Great Director



We've had our own, perhaps smaller but still nasty #metoo scandal here in Finland, in the film industry. The names have not been publicized but they are supposedly a known secret in the industry circles. I guess I'm not insider enough to be in on the secret. Which is probably a good thing.

- Eki

Tuesday, 5 December 2017

SOCIAL MEDIALAND: an evil empire? Or harmless useful tool?

Erkki, get out your BIG guns because I've got plenty of ammunition. User addiction to smartphones and social media like other hardcore drugs it's hard to kick the habit. They are designed to get you hooked.When I shot gottaGETinTOUCH, a rap video about cell phone addiction, almost all the subjects looked the same: heads bent, zoned-out, fingers dancing on the keyboard. Flesh and blood humanoids. The SM version of 'Night of the Living Dead'. I can hear Erkki say, 'Hey, wait a minute.' And give me a dozen examples of how the internet has changed the way we live for the better. True. Movements such as #metoo are perfect examples. And yes, the internet is a great way to keep in touch with family, friends, business contact, get news and information in nanoseconds. But, smartphones and social media are also designed to be addictive.
gottaGETinTOUCH (2016)

A whole new, sometimes weird culture has evolved. For instance, South Koreans, are among the world's most prolific texters. According to the New York Times, some of the most addicted users have developed bigger thumps. Thumbers are pros, Indexers are amateurs. The language of texters is acronyms. Of course, there's an online list. Your smartphone's predictive can write your bio: type 'I was born @therealbradg. JK Rowlings tied it. 2 million others tried it too. Eric Schmidt, CEO of Google observed that every two days we generate as much information as was created in the entire history of civilization until 2003. When Erkki wants some info, he whips out his phone and talks to it (in English). It answers right back. People who can't navigate in this high technosphere are NETbehinders.


Two teenagers heard the lyrics to gottaGETinTOUCH. They screamed.'That's us, can we be in it'? I told them that I had read girls, on average, texted about 100 times a day.They said, 'At least.' (boys average around 60). Anyone with half a brain, knows kids are among vulnerable. Two books on social media have made the top of the New York Times non-fiction best-sellers list: 'Regaining Conversation' by Sherry Turkle, a media scholar at MIT (Massachusetts Institue of Technolgy) and 'Irresistible' by Adam Alter. If you're a parent buy them both. It's no secret that smartphones and SM sites encourage constant use by giving rewards for checking in all the time. According to USA TODAY, teenage suicides are rising – school and the internet are to blame. Many top tech execs enroll their children in private schools, such as WALDORF, where young students are not allowed any electronic device. One thing is as certain, we can't put this genie back into the bottle. Over to you Erkki.

PS: Erkki told me not to worry about typos and misspelled words. His computer has an automatic spellcheck. Whew. What a relief.

Sources: New York Times, Financial Times Weekend, The ECONOMIST, USAToday


Next week: MolestSTARS: how the internet helped bring some bad dudes down


I use Grammarly, which in addition to spell-checking does some rudimentary grammar checks: punctuation etc. It's pretty neat, IMO.



- Eki